Müge Yilmaz (b. 1985, Turkey, Istanbul)

CV

Müge Yilmaz invites us to understand nature as its own thinking, acting being and to join her in installations and rituals for protection of nature. Yilmaz’s sculptures and performances draw on myriad ancient references read through feminist lenses, ranging from hieroglyphics from Neolithic Anatolia and hamsas, or Hands of Fatima, amulets; to traditional tattoos, made from ash mixed with a mother’s milk made for a new daughter. Her sculptures appear like painted shadows of gods, animals, and gestures frozen in time against a temple or cave wall. 

Yilmaz participated in several Biennals an museum exhibitions, 4th Karachi Biennal 2024, 59th Venice Bienniale, 2022, 16th Istanbul Biennial, 2019, and the 11th Shanghai Biennale, 2016. Tenminste Houdbaar Tot, Museum Arnhem, 2022 and PERFORMATIK 17, Brussels, 2017. And she has been a resident artist at ACC, Gwangju and is alumna of Rijksakademie van Beeldende Kunsten, Amsterdam, The Netherlands.





Müge Yilmaz, Mother of My Mother (Sitting Kybele) (2025), CNC cut and hand carved birch multiplex painted with natural pigment and 3D printed aluminium detail, 60 x 40 cm.






 Müge Yilmaz, Green Umay (2025), CNC cut and hand carved birch multiplex painted with natural pigment, 140 x 39 cm. 




Müge Yilmaz, We Are The Landscape, The Landscape is Us (2025),  CNC cut and hand carved birch multiplex painted with natural pigment, 112 x 112 cm.

 







59th Venice Bienniale: The Milk of Dreams


Quetzal Art Centre / Quinta do Quetzal: Müge Yilmaz, Harvest Godess (2025)